Bloody ballet
Last night I was whisked away to see Royal NZ Ballet’s take on Bram Stoker’s Dracula. This was meant to be a surprise but as soon as I was told we were going to a “surprise ballet date” about a month ago I was on the lookout for any ballets happening in the near future. My bets were on Dracula and I was right! Still, it’s the thought that counts and I loved that Lukas came up with this idea.

© http://www.nzballet.org.nz
Never before have I been to a ballet. Even though this wasn’t a classical ballet it took me a while to fully enjoy it. The first thing that struck me was that they didn’t talk to each other! This must be a Hollywood skew. But as soon as I was past the no-talking I really enjoyed the show. The choreography and decorations were amazing, the dancers very graceful and a lot of attention was paid to little details, which I always seem to appreciate more than the average person. For example, in one scene, when Dracula gate crashes a dance party to seduce his first victim, the spotlight was on Lucy (the victim-to-be) and everybody else was in the shadows, falling to the floor IN SLOW MOTION. They even took one of the tables with them IN SLOW MOTION. I loved it.
The fact that there was no blood until the last act made the first bloody appearance more striking and the scene where Renfield is sacrificed and the hordes of Nosferatu smear themselves with his blood was a real shocker! However, the winner in the shock stakes was the entrance the good guys made into the crypt where Mina and Dracula were getting married. They literally blasted their way in! I wasn’t the only one to jump in my seat.
I really enjoyed the show and wouldn’t mind seeing something else from the contemporary ballet offering. I don’t think I would like to see a classical ballet though. Two guys dancing together when one of them is missing a shirt felt (and looked) unnatural.